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Wednesday 10th December is movie night @ 8pm. Lucy Rees a PhD student researching Mongolian film Music will introduce this fantastic film with translation.This is another film about Eagle Hunting and Kazak life not a repeat of the film shown a few weeks ago! SYNOPSIS 86 minute documentary Kuma, a young Kazak man, retraces the steps of his grandfather who was formerly eagle master back to the remote mountainous region of his family's origin. There, in extreme western Mongolia, he fulfills his dream of trapping and training his own eagle. Under the tutelage of a local eagle master named Khairatkhan, Kuma learns not only the ways of hunting with eagles, but also the ways of his own people. Set against the staggering and exotic beauty of Mongolia, KIRAN immerses the viewer in a world forgotten by time. The Kazaks of Mongolia have been isolated from Western civilization by 70 years of living behind the "Iron Curtain" of Soviet communism. Ironically, by living in such an extraodinarily remote and rugged mountain region just below Siberia, these Kazaks - Who fled north to Mongolia when they were displaced by the western military expansion of China into then East Turkmenistan - Has actually strengthened their cultural identity. In fact, their culture is considered much better preserved than even the Kazaks of Kazakhstan who have become largely Russified. It is as if this tiny group of Kazaks living in Mongolia was hermetically sealed from the outside world for seventy years, and has thus perfectly preserved their ancient culture. The film is in Kazak & Mongolian with English subtitles. |
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Cafe Amsterdam English -
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Cafe Amsterdam celebrated another great evening. Keep your eyes peeled for next Wednesday We had a Musical Trio from the National Philharmonic Orchestra. Бидэнд Үндэсний Филирмоны найрал хөгжмийн гурван хөгжимчин тоглолтоо сонирхуулна.
Lhagva - Bass Guitar Лхагва - Басс гитар
Amgalan - Rhythm Guitar Амгалан-Ритм гитар
Ganbat - Violin Ганбат - Хийлч |
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Shown in Cafe Amsterdam - A Historic Movie: the 1945 epic: "Tsogt Taij"
This film revolves around Choghtu Khong Tayiji, a 17th century Mongolian prince who waged a campaign against Tibetan forces. Much like Michael the Brave, the film depicts a mediaeval hero fighting against foreign invaders, with a nationalist vision, in this case the vision of a 'united and sovereign' Mongolia. Both in theme and stylistically, it also shares some characteristics with Alexander Nevsky, but it has a distinctive feeling which sets it apart from these films.
One of the main points of the film seems to be its message against Tibetan Buddhism. This was one of the primary belief systems against which anti-religious propaganda was directed in the early decades of Mongolian socialism. The figure of Choghtu Khong Tayiji was undoubtedly chosen for the film because of his fight against the Tibetans. Here, the Tibetan Lamas are portrayed as a cynical invading force, in which supposed pacifistic beliefs of Buddhists are easily cast aside when the occasion demands it. More importantly, Tibetan Buddhism is painted as the diametrical opposite of Mongolian nationalism, because to be patriotic is to resist the Buddhist invasion.
Cafe Amsterdam, just East of the State Department Store
More info:
Cafe Amsterdam www.amsterdam.mn
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We are honored to announce the pre-premiere of the film "Tracking the White Reindeer" by Hamid Sardar. Please see below for more details. Hamid will give a small introduction himself. Please come well in time for the actual presentation to start at 20h. (8pm) Synopsis: In the snow-covered plains of northern Mongolia live the Tsaatan nomads. The young Quizilol and the beautiful Solongo are in love. To prove to Solongo's father that he is man enough to marry his daughter, Quizilol has to show he is capable of raising a herd of reindeer by himself. His family gives him a young stallion to start off. During a blizzard however, the stallion escapes into the spirit dwelling mountains. If it crosses the nearby Russian border, it will be lost forever. The young man can only count on himself to capture the animal. Only if he succeeds will he marry Solongo. Available Versions: English, French Production: ZED Director: Hamid Sardar http://www.zed.fr/en/catalogue_detail.php?id_movie=61 |
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We are thrilled to have renowned National Geographic photographer David Edwards to present a slide show of images and stories from the realm of the shamans. His images of Mongolia are famous around the world depicting the beauty of the landscapes and the spirit of the people in an unparalleled way. In Netherlands David has acclaimed fame for the covers of the books of Tjalling Halbertsma. David Edwards has been a freelance photographer for over sixteen years and a river guide in the Grand Canyon for 25 years. He has guided on numerous river expeditions around the world as a boatman, guide, & photographer.
Dave is co-owner of First Contacts, a horse trekking company that visits remote regions of Mongolia.
In 1996, Dave and his fellow photographer & river guide, Geoffrey Gourley began a non-profit organization.Flagstaff International Relief Effort (F.I.R.E.) was founded to bring international aid to the orphans and poverty stricken in Mongolia.
Dave lives and works in downtown Flagstaff, Arizona.
Dave participated in trips on the first descents of the Yangtze River in China and the Bashkaus in Siberia. He has worked as a photographer and guide in Africa, Alaska, Chile, Bolivia, China, Mongolia, Nepal, Pakistan, Russia, and throughout the Southwestern U.S.
His work has appeared in numerous national and international publications. His focus is on the documentary photographic essay.
As a freelance photographer, Dave has traveled extensively throughout Asia, specifically to document the native horse culture and the Kazakh Eagle Hunters of Western Mongolia. In 1997, he received a Photography Development Grant from National Geographic Magazine.
The Kazakh Eagle Hunters story was published in National Geographic Magazine in September of 1999. Recently, one of Dave's photographs was featured by National Geographic Magazine as one of the 100 best photographs in a Special Collector's Edition, vol. 1 of the magazine. |
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